#Kendrick lamar pimp a butterfly zippyshare plus#
Produced by both Ronald "Flippa" Colson - best known for his work with Rihnna, Nicki Minaj and Usher - and L.A.'s own Flying Lotus, the song's murky, wobbly track sets the pace for the next 70 plus minutes, forewarning the listener of the maelstrom of styles that lay ahead.įlying Lotus and Lamar worked together last fall on Lotus's rousing " Never Catch Me," and the swirling chaos of "Wesley's Theory," should be familiar to anyone who's followed the kind of experiments in jazz musicianship and hip-hop beat-making that's distinguished the beat-maker's Brainfeeder label. Roots of Kendrick Lamar's 'To Pimp a Buttįrom the album's first song, "Wesley's Theory," it's clear that the album embarks on a different sonic direction. Others have impressively, exhaustively cataloged every single player on "To Pimp a Butterfly" so rather than duplicate those efforts, our attempt here is to trace the album's distinct L.A.-centric musical roots and branches. that is also shown in Lamar's collaboration with filmmaker Kahlil Joseph, whose dual screen projection Double Conscience is now screening at MOCA Grand Avenue, featuring the rapper's music paired to scenes of South Los Angeles. in its lyrical themes but "To Pimp a Butterfly " sounds more like the hodgepodge of the metropolis itself: dense, sprawling, majestic and cinematic. His last LP, "good kid/m.A.A.d city," was more explicitly L.A. sound providers: TDE's (Top Dawg Entertainment) in-house guru Sounwave, Brainfeeder bassist extraordinaire Thundercat, and saxophonist Terrace Martin.Ĭonsidering that Lamar could have easily recruited producers and players from anywhere he wanted, the fact that he kept the crew so local feels like a statement in-and-of-itself. There's a few marquee hit-makers who contribute - Pharrell Willliams and Boi-1da for example - but the rest of the album's credits read like a veritable who's who of L.A. Dilla beats and Bilal b-sides, then sent to Digi+Phonics academy with after-school tutoring at Low End Theory. "To Pimp A Butterfly " dips into that lane at times but it's not remotely beholden to it. Instead, the album feels like a generational coming-of-age effort for a younger cohort of L.A.'s beat makers and studio players. It's as if the project was born during "The Chronic " era, babysat by the Project Blowed collective, raised on late-era J. Dre, DJ Quik, Battlecat and many others have helped craft over the years. hip-hop dating back to the 1980s: think thick bass slaps and syrupy synthesizers, the tell-tale signatures of g-funk grooves that Dr.
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It's a fitting setting, well represented in the "Cali sound" that's infused L.A. And last night, he debuted a few tracks to crowds in Hollywood, rapping on the back of a flatbed truck rolling down Sunset Boulevard. most people think of. On March 16, his much anticipated LP leaked before its official release slated for this week. Kendrick Lamar's new album, "To Pimp a Butterfly," is an L.A.